
W
hen she launched her brand in 2015, designer Alexandra Rosier Abramczyk already had a strong foundation in the high jewelry space. Enamored with jewelry from a young age, her nascent love was nurtured when her Argentinean father, a passionate collector of silver wear, would bring his daughter along on trips to antique fairs in England. The spark that was ignited when she was mining through those antique dealers’ jewelry offerings was further fueled by her mother, a collector of Victorian jewelry, who opened up her treasure box for a young Alexandra to explore and study.
Keen to express her own unique creative perspective, she opened a cozy atelier near the Place Vendôme in Paris where she began designing her transcendental pieces.

Following her training in Madrid in Fine Arts, Alexandra began to learn the techniques of marble, restoration of old paintings and the painstaking work of gilding. With her appreciation for minute details expanded, she turned her attention to jewelry, and she returned to Paris to embark on studies at BJOP and at the National Institute of Gemology.

She went on to gain hands-on experience at two of the most prestigious jewelry houses in the world, Cartier in Paris and Graf House in London. Keen to express her own unique creative perspective, she opened a cozy atelier near the Place Vendôme in Paris where she began designing her transcendental pieces.

Through frequent travels to India and Thailand, Alexandra was exposed to the phenomenal world of exceptional gemstones, which figure prominently in her dream-like creations. Her work is intricately detailed and showcases a high level of technical acumen. Gradation in gemstones create a sense of fluidity, and while her design themes are purposely figurative, much of her work contains articulated technology that allows for a mesmerizing level of movement and functionality.

Though her inspiration is rooted in nature, Alexandra also explores spiritual and metaphysical motifs in her work. Her Siberian owl is intended to evoke that majestic bird’s associations with intuition and clairvoyance, its head opening to expand the creative field. Her Union cuff is a play on the concept of Yin and Yang, with cool masculine colors complementing warm feminine colors that are united by green to represent the heart chakra.

Her divine Eternal Hands, which is a miniature molding of the designer’s own hands, incorporates the juxtaposition of masculine and feminine forces, their sacred unity, as well as the ancient art of palmistry. Demonstrating the designer’s intention to bring more joy into the world, the exceptionally detailed hands can both open and close, indicating the act of giving and receiving, and are engraved with two inseparable letters, Aleph and Beth, representing male and female principles.